 Apollo
11: The shot of Neil Armstrong and Buzz Aldrin planting the US flag on the moon's surface was taken by a 16mm camera mounted on the Lunar Module. Aldrins shadow 'A' is far longer than Armstrong's. Yet the only light on the moon - and the only light source used by N.A.S.A. - comes from the sun, and should not create such unequal shadows. |
 Apollo
11: Buzz Aldrin stands with the sun shining down across his left shoulder. Although his right side is in shadow, there is too much detail shown on that side of his space suit 'B'. It should be much darker and less visible because the contrast between light and dark is much greater on the moon. With no atmosphere to pollute the light on the moon, all the photographs should look bright and crisp. But the landscape behind Aldrin 'C' gradually fades to darkness. This 'fall-off' effect, hoax theorists say, should not occur on the moon. But the fading effect could have happened because film is less adaptive then the human eye and makes objects seem darker the further they are from the camera. There is a curious object reflected in Aldrin's visor 'D' (circled in red but hard to see in this small picture). Some theorists think it is a helicopter, others say it is a 12-metre glass structure. N.A.S.A. claim it is a piece of equipment on the lunar surface. |
 Apollo
11: NASA claims the strange shape 'E' - in this shot taken from the Lunar Module while it was 95km above the moon's surface - is a shadow cast by the Command Module's rocket. But when larger aircraft fly at lower altitudes over the earth, they do not cast such huge and defined shadows. |
 Apollo
14: As the Lunar Module Antares, from Apollo 14, rests on the moon's surface there is is no crater beneath it's fet 'F', despite the considerable amount of dust that would have been thrown up during its descent. There also appears to be a footprint 'G' directly under the module, yet no-one walked on this part of the moon before the craft landed. On the left of the craft, the words 'United States' 'H' are clearly visible, whereas they should bein shadow. Buzz Aldrin himself said that there is no refracted light on the moon which points to the fact that another source of light was used to take this shot. |
  Apollo 16 [left] Apollo 15 [right] These shots of John Young (left) and James Irwin (right) [original photos were too large for my handscanner] - like many Apollo photos - show a lunar sky without stars 'J'. Yet with no atmosphere on the moon, stars should be visible - a fact confirmed by Maria Blyzinsky, Curator of Astronomy at the Greenwich Observatory, London. If N.A.S.A. could not hope to recreate the lunar sky, they may have opted for simple black backdrops. N.A.S.A. claim that the sunlight was so strong it overpowered the light from the stars. On the shadow side of the landing modules, there are plaques 'K' with the American flag and the words 'United States' quite bright and clearly visible, but the gold foil around the plaques is in near darkness. Studio spotlights highlighting these areas, or technicians retouching the prints, could have caused this effect. [hard to see on the left picture but it is there in the original...] |
 Apollo
12: As Alan Bean holds up a Special Environment Sample Container, the top of his head is clearly in view. But the camera taking the shot was fixed on to Charles Conrad's chest, and the ground here seems to be level, so the top of the helmet 'L' should not be in the photo. Shadows visible in Al Bean's visor 'M' go off in various directions, not in straight parallel lines, as expected, suggesting that there is more than one light source. The container Bean is holding 'N' is brightly lit at the bottom, yet it is facing away from the light. This may be due to the light reflected from Bean's suit on to the container, but the rest of the container is not so brightly lit. |
 (Pictures below are blowups taken from the picture above.) |
   In this photograph of John Young (panel above) readjustingan antenna next to the Lunar Rover Vehicle (L.R.V.), there is a marker, known as a cross-hair (top left in this panel) 'Q', that goes behind the LRV's equipment. These cross-hairs which appear on all the lunar photographs, are made by a screen of cross-hairs placed between the shutter and the film. The bright, reflected light may have obliterated the fine line of this one, or it could have happened if the image was retouched. The foreground shows what looks like the letter 'c' on a boulder (top right in this panel) 'R'. Is this perhaps an identification letter left on a studio prop? The tracks made by the LRV's wheel turn rather oddly at right-angles 'S' (above middle in this panel). These tracks could have been caused by studio technicians pushing the buggy into place. Such clear tracks and footprints require moisture to form and should not appear on the dry lunar surface. |